written by Francis B. Nyamnjoh
ISBN | 9789956558032 |
Pages | 76 |
Dimensions | 203 x 127 mm |
Published | 2007 |
Publisher | Langaa RPCIG, Cameroon |
Format | Paperback |
Francis B. Nyamnjoh joined the University of Cape Town in August 2009 as Professor of Social Anthropology from the Council for the Development of Social Science Research in Africa (CODESRIA), Dakar, Senegal, where he served as Head of Publications from July 2003 to July 2009. He has taught sociology, anthropology and communication studies at universities in Cameroon and Botswana, and has researched and written extensively on Cameroon and Botswana. In October 2012 he received a University of Cape Town Excellence Award for “Exceptional Contribution as a Professor in the Faculty of Humanities”. He is recipient of the “ASU African Hero 2013” annual award by the African Students Union, Ohio University, USA. He is: a B1 rated Professor and Researcher by the South African National Research Foundation (NRF); a Fellow of the Cameroon Academy of Science since August 2011; a fellow of the African Academy of Science since December 2014; a fellow of the Academy of Science of South Africa since 2016; and Chair of the Editorial Board of the South African Human Sciences Research Council (HSRC) Press since January 2011. His scholarly books include: Africa’s Media, Democracy and the Politics of Belonging (2005); Insiders and Outsiders: Citizenship and Xenophobia in Contemporary Southern Africa (2006); “C'est l'homme qui fait l'homme”: Cul-de-Sac Ubuntu-ism in Côte d'Ivoire (2015); and #RhodesMustFall: Nibbling at Resilient Colonialism in South Africa (2016).
2 comments
‘This play tackles the theatrically attractive but ethically complex issue of Christian fundamentalism. Nyamnjoh, as a sociologist is well qualified to explore the social problems and psychological pressures which give rise to the born-again phenomenon, and the strong appeal of fundamentalist religion. The Convert, however is no schematic sociological tract. It deals with the conflicting imperatives in 21st century West Africa, which push ordinary people into extraordinary situations, and provides no easy solutions to the issues raised. Although the play revolves around the Ultimate Church of Christ and the four main characters affected by it, the audience is given a deftly sketched picture of a corrupt world beyond it, lacking in spiritual or community values. [..] The characterization. is remarkable for its avoidance of any obvious protagonist; the audience is allowed no clear character with whom to identify. The four main characters . have both virtues and flaws, each providing insights into ways the consumer-oriented materialism of modern life impacts upon African spirituality and community values.’
David Kerr, Professor in Literature and Drama, University of Botswana
‘At the core of the implicit philosophy in Nyamnjoh’s The Convert is the theatrical manifesto that contemporary society has not only to liberate itself, and its productive powers from ‘Pentecostal’, freak religions and distortion, it also has to liberate these same productive capacities from their present prostration. There is a deep, engaging humanism that pervades The Convert, but it is a humanism emblematic, to speak analogously, of the Aeschylean variety.’
Bate Besong, Africa Review of Books